Main house
Central Hall
Iphigenia’s Sacrifice is illustrated in three-dimensional vision: at the centre the priest Calcante is about to kill the young Iphigenia. All the onlookers lift their
Iliad’s Room by Homer
Briseis, Achille’s slave, is taken away forcedly from her tent to be introduced to her new owner: the king Agamemnon, who is waiting for her
Furious Orland’s Room by L. Ariosto
Angelica, princess of Cathay, is tied at a cliff by pirates, to be devoured by a see monster; the knight Ruggero, on horseback of a
Eneid’s Room by Virgil
Venus, goddess of love, appears to her son Enea and his companion Acate, disembarked, after a storm on the African coasts and immediately moves away
Liberated Jerusalem’s Room by T. Tasso
In the Renaissance, the lively imagination, the magic that benefited of philtres and potions were cliché. The frescoes recall episodes of the first crusade with
